December 31, 2011

The VW Years: Carolyn Brown, Part I

Well first off, apologies to Remy Charlip. I'd said he was "a bit off on dates" when he wrote about touring with Merce in a VW Microbus driven by John Cage from 1956-61. When we know [sic] that Cage only...
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Posted by greg at 9:52 PM

How Firm A Foundation

See, this is the kind of frugal Sforzian stagecraft that Mitt Romney learned from his Mormon pioneer ancestors: just use the replica sets from The Music Man and con a local into holding your chair! There's no trouble in...
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Posted by greg at 9:13 AM

December 29, 2011

Richard Serra: The Suburban Years

The very special presentation of Merce & John: The VW Years will return after this brief announcement from holy crap, Richard Serra's suburban! Thanks, wary meyers! Now don't get all stalky. And stay tuned, eventually, finally, for Donald Judd's Land...
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Posted by greg at 9:59 AM

December 23, 2011

No One Puts Big Nose Baby Moose In A Corner

Sometimes all Mark Grotjahn wants is to dance. Here are four five videos of those times, in chronological order: Nov. 2007: Jan. 2008: May 2008: Feb. 2011 [via artblogartblog]...
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Posted by greg at 10:35 AM

December 22, 2011

Alexander Girard Shelves? Alcoa Forecast Throwback

You know what I never got around to doing in 2010? Finishing the catalogue of all the designs created for the Alcoa Forecast ad campaign in the late 1950s. That was the postwar, civilian/consumer-oriented, Glorious Aluminum Future PR campaign that...
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Posted by greg at 12:53 PM

WWPD?

Yes, I know I should be praising Norman Foster for his Dymaxion Car, which, of course. But instead, I will be grateful for the deftness of Lord Foster's humblebraggadocio in the essay he wrote for his wife's show/book in Madrid...
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Posted by greg at 10:04 AM

December 21, 2011

Ben Schumacher, Images As/Of Work

Electrum @ Reference with Hugh Scott Douglas, 2011 Oh, man, basically every thing in Ben Schumacher's shows and his source and reference material and his investigations and archive divings and whatever the hell else in his tumblrs is just...
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Posted by greg at 11:42 PM

The VW Years, Ch. 3: John Cage

The VW bus makes many appearances in John Cage's own writings, especially his tour diaries in Empty Words: Writings '73-78:After winning the mushroom quiz in Italy, I bought a Volkswagen microbus for the company. Joe's was open but said it...
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Posted by greg at 9:59 PM

December 19, 2011

Carlo Mollino, Becky Beasley, 'The Outside'

Let me tell you, spare, door-sized black & white prints in screen-like triptychs are not what I think of when I hear "Carlo Mollino" and "photography." [Google search possibly nsfw] But Becky Beasley's show "The Outside," at Francesca Minini...
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Posted by greg at 9:26 PM

The VW Years: Ch. 2, Remy Charlip & Steve Paxton

[l to r] Viola Farber, Bruce King, Remy Charlip, Carolyn Brown & Merce Cunningham performing Nocturnes in 1956. photo CDF/Louis A. Stevenson, Jr. via the estate project Remy Charlip was an early collaborator in Merce Cunningham's orbit. Years before...
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Posted by greg at 8:50 AM

December 17, 2011

The VW Years: Ch. 1

John Cage, Merce Cunningham, and Robert Rauschenberg photographed in 1960 by Richard Avedon In a few days, the Merce Cunningham Dance Company will perform for the last time. I have not been a close follower of Cunningham's work, except...
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Posted by greg at 10:53 PM

Son Of Strelka, Son Of God, By Dan Warren

While I was painting today, I first listened to a slightly underwhelming Q&A from MIT with Otto Piene and Hans Haacke, which was short, and so my iTunes started shuffling, which never happens. I don't really listen to music,...
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Posted by greg at 4:01 PM

Dutch Camo Landscape Painting Painting

While moving some art around this week, I found a bag of acrylics I bought early last year, when I planned to paint the Dutch camo landscapes. Trying to figure out how to do it led me to start...
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Posted by greg at 2:10 PM

Rijksoverheid Rood 5: Thinner

Since I appear to only be able to find the time bandwidth to paint on the weekend, sometime I might have to investigate terms that already haunt me anyway, like "weekend painter." At least I'm not painting on Sunday,...
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Posted by greg at 2:01 PM

December 16, 2011

Beautiful Boro Noragi @ Sri

I love this boro jacket at Sri as much for the color as the patching:This jacket is well-used, as is quite obvious. To describe its color is difficult: it is a kind of medium-range grey blue; the hemp cloth...
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Posted by greg at 8:59 AM

December 14, 2011

On Close Encounters, Scriabin, Schoenberg, Bernstein

OK, here are some more details about how the crazy-awesome synthesizer/lightboard came together in Close Encounters of the Third Kind, courtesy of Ray Morton's 2007 book on the making of the film. Maybe not surprisingly, it grew and evolved along...
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Posted by greg at 11:36 PM

Bill Walton, In The Artist's Studio

I'm really bummed to have missed The Gifting of Bill Walton's Studio on December 4th, the extraordinary culmination of the ICA Philadelphia's memorial recreation/exhibit of the late local master's crowded workplace. As ICA blogger/curator Rachel Pastan tells it, the...
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Posted by greg at 10:32 PM

Untitled, By Michael David Murphy

This is so awesome. I know there's no sound, but it seems like I can hear all those reality TV show team members' hearts beating. [Michael David Murphy via waxy]...
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Posted by greg at 10:11 AM

December 12, 2011

On Politics, Damn Politics, And Art

I don't know what, if anything, these mean, but these two stories last week made me wonder about the relationship of art and politics and Washington DC as viewed from a political/media perspective. First up, and most disturbing, was the...
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Posted by greg at 11:24 PM

Gettysburg And The Disney/Ken Burns Effect

The new issue of Public Art Dialogue is out--as you know, right?--and it includes an article by Drake University art historian Maura Lyons that looks at how Disney, photography, and Ken Burns altered the Gettysburg National Military Park. In the...
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Posted by greg at 9:35 PM

On Studying Why Americans Protest Art

Here is a PBS Newshour Q&A with Steven Tepper, discussing his research into why art--or the arts, really, since he looks at theater, libraries, music, too--triggers protests in some communities at some times and not others. He found that...
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Posted by greg at 10:09 AM

December 10, 2011

The Cosby Sweater Project

"Season 3, Episode 3: 'Golden Anniversary'" This is epic. Painting the key sweaters of The Cosby Show, one episode at a time, in chronological order. Which is awesome, not because it charts the evolution of the Cosby Sweater; any...
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Posted by greg at 8:34 PM

December 9, 2011

On The BELLMAC-32, And Perhaps The World's Largest Plotter Pen Drawing

BELLMAC-32A Layout in the Ball Labs, Murray Hill Lobby, image: ieeeghn.org Look closely, at least until I can track down a larger version of this snapshot. Because it may be the world's largest plotter pen drawing. It's a 20x20-foot...
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Posted by greg at 9:14 PM

December 8, 2011

Considering The Eameses As Artists

A few months ago, I was asked to write something about Ray and Charles Eames by the folks at Humanities Magazine, published by the National Endowment for the Humanities. The NEH had provided some funding to Jason Cohn and...
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Posted by greg at 11:59 PM

The New Aesthetic On Stage

Here's video of James Bridle giving a live, keynote speech version of his awesome tumblr, The New Aesthetic, at a web conference in Australia. Lots of good stuff, though not much that will be new to TNA followers. There are...
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Posted by greg at 10:43 PM

December 7, 2011

John Cage's Sweet Nut Balls

Here's another recipe from John Cage, this one maybe from a stay in Ithaca? Before he went vegan, obviously. From Empty words: writings '73-'78, p. 91:Holiday Inn: Room 135. Four cups of ground walnuts; 4 cups of flour; 12 tablespoons...
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Posted by greg at 3:02 PM

December 6, 2011

Everything And The Kitchen Sink

We took the family to Hillwood over the holidays. It's Marjorie Merriweather Post's house-turned-house museum, and it's kind of bizarre, frankly. Not seriously wack, but just a low-grade oddness which, who knows, maybe the passage of time and the accretion...
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Posted by greg at 11:17 PM

Kim Schoenstadt At--Whoa, UMOCA

A little while ago, I got an email from LA-based artist Kim Schoenstadt, asking if it was alright to reference some photos I took a few years ago of unusually awesome modernist houses in Salt Lake City. She planned...
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Posted by greg at 9:53 PM

And Now Erased Kennedy?

Wild. The previous post about erased and archived and someday-to-be-resuscitated Nixon reminded longtime greg.org reader Jonathan of another obscured national conspiracy: the Dictabelt recordings of the Kennedy assassination. Apparently, a motorcycle policeman along the presidential motorcade route through Dallas had...
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Posted by greg at 9:33 PM

December 5, 2011

Erased De Kooning, Erased Nixon

The new issue of Cabinet arrived today [free with my new iPad case!], and it includes a fascinating article by Susan Schuppli about the 18 1/2-minutes of erased audiotape at the center of the Watergate scandal. Apparently, the National Archives...
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Posted by greg at 9:36 PM

December 2, 2011

Philip Glass, Gandhi And The Peoples' Mic

New Yorker music critic Alex Ross posted this extraordinary video of Philip Glass and the Occupy Wall Street General Assembly outside Lincoln Center, where the Metropolitan Opera performed Satyagraha, the composer's 2008 production of his 1980 telling of the...
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Posted by greg at 2:00 PM

December 1, 2011

The EAI High Definition Video Guide

Whether you're sitting at home, poking at your remote to stretch, squash, and crop your Criterion movies; or preparing a video group show in Miami, Electronic Arts Intermix's High Definition Video Guide is an indispensable source of basic technical information:If...
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Posted by greg at 12:04 AM